I was in San Francisco last week, visiting my son, and we took in a matinee of Hanna (which I thought was all that, for the record: Fun for the whole family, Truffaut’s Wild Child run though a blender with Heidi and the Bourne Identity). Leaving the mall we passed a Border’s bookstore in the final two days of its everything-must-go bankruptcy sale.
I can’t resist a sale, especially when everything is marked down by 80%, but the vultures had been past many times before us. Though I did manage to get four of James Lee Burke’s Dave Robichaux mysteries for seven dollars (talk about value for money!) most of what remained was the dregs of the dregs, lone copies of sports biographies and books by Sarah Palin. They were even selling the bookshelves. I’m sure with the right offer I could have taken one of the employees home with me.
The one glaring exception I saw was a whole shelf packed with Drunk Stoned Brilliant Dead: The Writers and Artists Who Made the National Lampoon Insanely Great. This best-of collection, culled from the magazine’s glory years (the seventies) may have been poorly packaged — the cover is all text where the Nat Lamp at its zenith excelled at graphic covers as memorable as great print ads (“If You Don’t Buy This Magazine We’ll Kill This Dog,” et al) but I think humor as topical, and of the time, as theirs was doesn’t stand the test of time.
I smiled flipping through the pages, more at the memories invoked (drunk, stoned etc.) but it meant as little to me as the Spy collection did a few years ago — and absolutely nothing to my son, who lives for college-style comedy. (And shows no sign of ever leaving college.) Like old episodes of SNL, they’re just not as funny as they were then, when we were drunk stoned etc. and the apocalypse was upon us daily.
Today’s youth have Jon Stewart and Colbert, who can make successful comedy of the sort of economic freefall that presaged a Borders bankruptcy. Their books were long gone from the shelves.