It’s time to thank Al Gore for the internet again. A woman I did not know in Seattle found my blog looking for stories about Chris Whitley, whom I had known and written about (for Vogue) in the early nineties. She in turn hepped me to a video of Chris’s daughter, Trixie, fronting a Daniel Lanois project called Black Dub. (Lanois essentially discovered her father, almost twenty years ago.) And last night I went to hear Trixie with her own band at a bar in Williamsburg — and we spoke about me writing something about her for a different fashion magazine. Closing some kind of circle.
It was hard for me to get used to the idea of Trixie fronting much of anything since the last time I saw her she was probably seven years old, but time makes a monkey of us all, as the lady said. She’s prettier than any monkey and a most accomplished singer and musician. Some of that talent may be genetic — it’s hard not to hear echoes of her father’s music in her singing and guitar playing — but she also worked at it. According to her website she has been singing, playing and dancing professionally since she was in her teens and learned to feel at home in studios in NYC and New Orleans, at the foot of her father. (You can hear her in the background or his last album, 2005’s Soft Dangerous Shores.)
She mentioned her dad a few times last night, first when introducing a sort of rap song she wrote when he was dying (he passed away four years ago) and then before closing she dedicated a quieter number to him. “Strong Blood” is the title.
When I walked outside it was a little after midnight; I just turned 55. I know, that sounds old. But consider the alternative. I was moved by this example of musical legacy; Trixie calls herself a “daddy’s girl” and having one of those myself, I counted my blessings. The moon above Brooklyn was quite full, and free to all. You don’t have to do anything, it just shows up like that. Though sometimes you have to be patient.