Did you catch the senator from Arizona’s valedictory remarks on SNL last night? Parodying himself, as Tina Fey stood beside him and parodied Sarah Palin, McCain acted as if his candidacy was washed up and he had to resort to selling “Fine Gold” and other campaign mementoes on QVC. (Using his Stepford wife Cindy as the hand model was a stroke of genius.) This was meant to remind us that he has a sense of humor — and I hope that these are the images of JMC that I’m left with — even as the jokes reminded us of how ill-fitting the GOP mantle has been on this candidate.
“I’m a true maverick,” he said, “a Republican without money.” It reminded me of a day long ago, when I was in college and a friend of mine saw a book I was reading for class, Michael Gold’s Lower-East-Side saga, Jews Without Money.
“There’s something you don’t see very often,” he cracked — a remark he could get away because he was Jewish and (unlike almost everyone else I knew) had money. But when McCain makes a joke about the stereotype of rich Republicans he reminds us both that a) he is one and b) his party’s appeal to the working class is, at times, a rather cynical one. The popularity of the GOP since Reagan has been based in part on poor people who wanted to get rich (like Reagan, like Trump). But now that even the richest are facing the prospect of becoming poor (or at least middle-class), while the poor are facing the prospect of bubkes, the promise of fine gold rings hollow. As hollow as that stuff they hawk on QVC.
Of course it’s a modern tradition for the candidates to make fun of themselves in the run-up to the election. The humor-challenged Richard Nixon helped clinch the ’68 election by appearing on Rowan & Martin’s Laugh-In (his opponent, Hubert Humphrey, declined) and playing off the square he was (“Sock it to me?“) But McCain has a sense of humor, one that has been notably absent in the debates and many of his speeches in recent months.
But I don’t buy this business about the “real McCain” — you know, the decent honorable guy that his friends are all awaiting the return of. As long as we’re talking TV here, it occurred to me watching the season finale of Mad Men last week that what linked this show to the last one Matthew Weiner labored on, The Sopranos, was that its characters were defined by their actions. They could talk funny or cynical or earnest or awful but it was how they acted when everything was on the line that mattered.
No one made John McCain choose Sarah Palin. No one forced him to bring up such non-starters as William Ayers & Acorn, hoping to scare voters. No one told him to question Obama’s patriotism. And I’m sure no one dragged him back to Rockefeller Center either; his better angel has a sense of humor but has to be put in the line-up with all those demons when the time comes to weigh him as a presidential pick. Sock it to him.